*THIS WEEKEND*

THINKING THROUGH 
GENRE
NOVEMBER 2 & 3, 2013
PRATT INSTITUTE
DEKALB HALL,
ROOM 308
S A T U R D A Y
10:00–11:10: Kathleen Kelley: “DEDUCING EVERY WORD IN THE LANGUAGE: CAVELL AND THE CLAIM OF GENRE”
11:20–12:30:
  Eva Sancho Rodriguez: “THE MERIT OF GENRE VERSUS CINEMATIC  TONE AND 
MOOD:  DOES ANALYSIS THROUGH GENRE OPEN UP ‘BETTER’ KINDS OF QUESTIONS?”
2:00–3:10:  Josh Karant:  “HIP HOP CINEMA:  THE APPROPRIATION OF GENRE AS GENRE”
3:20–4:30:  Zed Adams: “ON LOCATION” 
5:00–6:10:  Suzanne  Verderber:  “GENRE, REPETITION, AND DIFFERENCE IN DETECTIVE FICTION”  
6:20–7:30: Gregory Flaxman: “THE LATE WESTERN”
6:20–7:30: Gregory Flaxman: “THE LATE WESTERN”
S U N D A Y
  
10:00–11:10:  Agustin Zarzosa: “MELODRAMA  AND THE SENSES OF MODALITY” 
11:20–12:30:  Lisabeth During: “A ROMANCE FROM HELL: UNCONSCIOUS RAPE, SEXUAL DIFFERENCE, AND FILM  GENRE” 
2:00–3:10:  Mathew   Abbott: “THE COMEDY OF REMARRIAGE IN AN AGE OF TECHNICAL REPRODUCIBILITY:  NOTES ON KIAROSTAMI’S   CERTIFIED  COPY” 
3:20–4:30: Lisa Trahair: “CAVELL, COMEDY AND THE LADIES’ MAN”
4:40–4:30: Robert Sinnerbrink: “THE MORAL MELODRAMA”
Text 347 249 1443 on workshop days for directions or other info.
Inquiries in advance can be directed to
kkelle10@pratt.eduFor more information, please visit
School of Liberal Arts and Sciences 
or 
Pratt Institute Admissions
 





 
