February 5th, 5:00
Location TBD

Encomium, 2011.

Bio: Born in Kenya of Indian descent, Brendan Fernandes immigrated to Canada in 1989. He completed the Independent Study Program of the Whitney Museum of American Art (2007) and earned his MFA (2005) from The University of Western Ontario and his BFA (2002) from York University in Canada. He has exhibited internationally and nationally including exhibitions at the Solomon R. Guggenheim Museum, the Museum, Museum of Art and Design New York, the Musée d'art contemporain de Montréal, The National Gallery of Canada, The Art Gallery of Hamilton, The Studio Museum in Harlem, Mass MoCA, The Andy Warhol Museum, the Art Gallery of York University, Deutsche Guggenheim, The Bergen Kunsthall , Manif d’Art: The Quebec City Biennial, The Third Guangzhou Triennial and the Western New York Biennial through The Albright-Knox Art Gallery. Fernandes has participated in numerous residency programs including The Canada Council for the Arts International Residency in Trinidad and Tobago (2006), The Lower Manhattan Cultural Council’s Work Space (2008) and Swing Space (2009) programs, and invitations to the Gyeonggi Creation Center at the Gyeonggi Museum of Modern Art, Korea (2009) and ZKM, Karlsruhe, Germany (2011). He was the recipient of a New Commissions Project through Art in General, NY (2010) and was the Ontario representative for the Sobey Art Award (2010). Fernandes is based between Toronto and New York. More Information: http://www.brendanfernandes.ca/


2. Professor Claudio Lomnitz 
Campbell Family Professor of Cultural Anthropology, Columbia University

Bio: I work on the history,politics and culture of Latin America, and particularly of Mexico. I received my PhD from Stanford in 1987, and my first book, Evolución de una sociedad rural (Mexico City, 1982) was a study of politics and cultural change in Tepoztlán, Mexico. After that I developed an interest in conceptualizing the nation-state as a kind of cultural region, a theme that culminated in Exits from the Labyrinth: Culture and Ideology in Mexican National Space (California, 1992). In that work, I also concentrated on the social work of intellectuals, a theme that I developed in various works on the history of public culture in Mexico, including Modernidad Indiana (Mexico City, 1999) and Deep Mexico, Silent Mexico: An Anthropology of Nationalism (Minnesota, 2001). Around 10 years ago I began working on the historical anthropology of crisis and published Death and the Idea of Mexico (Zone Books, 2005), a political and cultural history of death in Mexico from the 16th to the 21st centuries. I am currently finishing a book on anarchism, socialism and revolution in Mexico (c. 1910) that inspects the cultural and political history of transnationalism. 

More information: http://www.columbiauniversity.org/cu/anthropology/fac-bios/lomnitz/faculty.html

3. Nona Shepphard (co-sponsored with Humanities Department) with Tracie Morris

Associate Director of the Royal Academy of Dramatic Arts

The story of Lucretia is well known. She was the virtuous wife of a Roman nobleman who committed suicide after being raped by Sextus Tarquinius, the son of the king. Her body was displayed in the forum and the enraged citizens, led by Junius Brutus, expelled the Tarquins and established the Roman Republic. Slightly less well known is the story of Virginia. Fifty or so years after the rape of Lucretia, Claudius Appius, a patrician with tyrannical ambitions, attempted to enslave the daughter of a respected plebeian in order to have his way with her. When all seemed lost, her father seized a butcher’s knife and killed her -- to ‘make her free,’ as Machiavelli had it. After Virginia’s body was displayed in the forum, the citizens and the army forced Claudius Appius into exile, and the republican order was restored.

Bio: I work on the skins of things, excavating histories of technology and media from the surface layers of natural and man-made objects. I use tools from the fields of the history of science and technology, media production, art history, media studies and material culture studies to analyze the production, use, and transformation of often-overlooked, even marginalized, material artifacts located at the interstices of the found and the fabricated.

7. Professor David Harvey