*THIS WEEKEND*
THINKING THROUGH
GENRE
NOVEMBER 2 & 3, 2013
PRATT INSTITUTE
DEKALB HALL,
ROOM 308
S A T U R D A Y
10:00–11:10: Kathleen Kelley: “DEDUCING EVERY WORD IN THE LANGUAGE: CAVELL AND THE CLAIM OF GENRE”
11:20–12:30:
Eva Sancho Rodriguez: “THE MERIT OF GENRE VERSUS CINEMATIC TONE AND
MOOD: DOES ANALYSIS THROUGH GENRE OPEN UP ‘BETTER’ KINDS OF QUESTIONS?”
2:00–3:10: Josh Karant: “HIP HOP CINEMA: THE APPROPRIATION OF GENRE AS GENRE”
3:20–4:30: Zed Adams: “ON LOCATION”
5:00–6:10: Suzanne Verderber: “GENRE, REPETITION, AND DIFFERENCE IN DETECTIVE FICTION”
6:20–7:30: Gregory Flaxman: “THE LATE WESTERN”
6:20–7:30: Gregory Flaxman: “THE LATE WESTERN”
S U N D A Y
10:00–11:10: Agustin Zarzosa: “MELODRAMA AND THE SENSES OF MODALITY”
11:20–12:30: Lisabeth During: “A ROMANCE FROM HELL: UNCONSCIOUS RAPE, SEXUAL DIFFERENCE, AND FILM GENRE”
2:00–3:10: Mathew Abbott: “THE COMEDY OF REMARRIAGE IN AN AGE OF TECHNICAL REPRODUCIBILITY: NOTES ON KIAROSTAMI’S CERTIFIED COPY”
3:20–4:30: Lisa Trahair: “CAVELL, COMEDY AND THE LADIES’ MAN”
4:40–4:30: Robert Sinnerbrink: “THE MORAL MELODRAMA”
Text 347 249 1443 on workshop days for directions or other info.
Inquiries in advance can be directed to
kkelle10@pratt.eduFor more information, please visit
School of Liberal Arts and Sciences
or
Pratt Institute Admissions